For the artist, it’s a question of “weaving with” the world around him, just as contexts weave and reweave reality. ——— Paul Ardenne, A Contextual Art

Dancer and choreographer, Gilles Viandier develops within the generic #Number# project, an evolutionary investigation at the crossing of performance, dance, installation and architecture, creating projects that combine social responsibility, sustainability, respect and dialogue with the environment in echo to an architect‘s diploma in 1997, questioning the urban and artistic conversion of industrial wastelands in Europe.

Linked to the context, the history and the identity of every city, #Number# questions the urban perception, the movement and commitment of the body, the representation in general and realizes performative in situ devices, including Street Pantone variations, based on the apprehension of the public space, its diversion and spectator’s role.

These attentions to the inhabitant, to the passer-by, to contact in general, to the involvement of physical commitment questioning the ordinary, to conscious breathing, have led to the development of pedagogical actions with various audiences. In 2018, he followed the Choreographer <>Composer education program at the Royaumont Foundation (Paris, F).

For its 2021 edition, he rethink the urban scenography of the Mimos festival in Périgueux (F) driven by the Odyssée Theatre: general survey, signages, flows between the different venues, manufacture and implementation of scenographic elements.

In 2022, a new creation, Sinople (generic term for all types of green in heraldry) approaches a choreographic, ecological, pictorial and literary research around our relationship to the color green, its future in the city, its average place in the visible spectrum, on the globe, and complementary to our skin-self…

Tat Vam Asi, You Are That, Budapest 2012: https://www.numberproject.net/tat-vam-asi-that-is-you-en-vagyok-az-budapest-hu/

In 2006 #Number# project started in Montpellier/France around the concepts of limits (margins, presence of nature, privatization, urban paradoxes), of convergence (streets, squares, rivers, public, art of walking…) and of urban harvest (waste, signals, symbols, perceptions…), flow, movement in posture and discontinuity in dynamics, in the form of choreographic palimpsests.

Then #Number# entered into variations: in the festival Improspekcije in Zagreb, along the canal in Brussels, in Skopje/Macedonia in the project for the Biennial of Young Creatives of the Mediterranean See, in Berlin invited by Jeremy Wade and Peter Stamer (The Village, Tanznacht 2010) and in Paris during the contest Danse élargie 2010 organized by Boris Charmatz.

Since 2012 within various residencies at Trafó theatre in Budapest (Hungary), with the Council of Architects of Transylvania in Cluj-Napoca (Romania), in Ujgorod (Ukraine), at the Antigel Festival in Geneva (Switzerland), with [AADK] Spain in Blanca (Spain) and at the Prague Quadrennial/PQ (Czech Republic), #Number# continues to explore and question the paradoxes of the window city and its realities, safety and mobility, changing flows, invisible borders and elasticity of the urban fabric.

Since 2015, the performative installations with the 30 meters Lycra fabric named Street Pantone have been presented in many festivals and galleries: Prag (CZ) / Cluj-Napoca (RO) / Geneva, Nyon (CH) / Berlin (D) / Toledo, Blanca, Olot (E) / and Royan, Trizay, Marseille, Aurillac, St Flour, Salers, Périgueux, Grasse, Collioure, Le Beausset (F).

Tribute to Gabriel Orozco “Asterisms”, Libreville Gabon 2020